Download “Into the Tree’s” by Still Corners
September 20, 2011
London based Still Corners are jumping the pond in support of their Sub Pop debut, Creatures of an Hour, which will be available on Oct 11 in North America and world-wide on October 10. The band, comprised of Tessa Murray (vocals), Greg Hughes (guitar and keys), Leon Dufficy (guitar), Luke Jarvis (bass) and Paul Mayhew (drums) fuse a whispered intimacy with a sonic emotional expansiveness that linger like half-remembered dreams. You can now download the bands second single “Into the Tree’s” by clicking here.
NO AGE & TODD COLE “INFLORESCENCE DOCUMENTARY”
September 20, 2011
NO AGE & TODD COLE “INFLORESCENCE DOCUMENTARY” AVAILABLE HERE!
Renowned filmmaker/photographer Todd Cole and experimental art-punk duo No Age joined forces to create and document a unique performance for the band’s “Inflorescence.” Cole and No Age were paired as part of a series of creative collaborations fostered by the Levi’s Film Workshop, a temporary creative film production facility housed inside the Museum of Contemporary Art (MOCA), Los Angeles.
Todd Cole and No Age are LA-based creative pioneers. Cole is a filmmaker/photographer, whose work has been exhibited internationally at galleries, museums and festivals and featured in publications ranging from the New York Times to i-D. No Age is the duo of Dean Spunt and Randy Randall, they are on a constant journey to explore the furthest reaches of sound. They set out with one particular rule in mind: To write songs that we would be psyched to listen to. They have been been at the epicenter of the DIY art-punk scene in LA, now famously known as having its epicenter at The Smell, a clubhouse where art-life/music-life welded and inspired a creative movement and attitude which has fertilized a purple patch of likeminded punkers and artists around the globe.
The No Age performance took place inside the Film Workshop, marking the close of the Film Workshop and celebrating MOCA’s “Art in the Streets” street art exhibition, a groundbreaking show that saw over 200,000 visitors, breaking all attendances records in the museum’s history.
It Ain't Hemingway 