Bon Iver covers I Can’t Make You Love Me (Audio)
June 19, 2011
plus a snippet of “Nick of Time” by Bonnie Rait
Download 02-I-Cant-Make-You-Love-Me
Bon Iver: New album “Bon Iver” is out this Tuesday!
Road to Madison Sq. Garden revisited….
June 16, 2011
So everyone is getting very sentimental over the closing of KOL.com. Although it may just be down for maintenance (no one knows for sure), it has stirred up a lot of stories about when it was good and when a lot of the Kings of Leon fans became friends. I joined that site almost 3 years ago and had some great, belly rolling laughs on there. Over the past 3 years it has changed considerably. Way too much spam, incompetent mods, outdated information, etc… Lets hope that this hiatus is an attempt for the powers that be to get KOL.com back on their game.
I met a lot of the people I am still friends with after I posted my review of the bands first ever performance at Madison Square Garden. So I’m reposting purely for sentimental reasons. For me, this story stirs up all those feelings I had on that day. It was the first time I saw KOL live, first time in Madison Sq Garden for a concert, and the first concert review I ever wrote. Hope you enjoy!
Philly to Madison Square Garden
Concert Ticket $44.00
Ticket Master Service Charge $1000.00
1 warm beer purchased at the Garden $1500.00
Seeing the Kings of Leon LIVE: Priceless
CHECK LIST
Wallet? Check! Keys? Check. Cash? Check! I’m Ready…CRAP! Ticket! Where the fuck is my TICKET…oh in my wallet, never mind (checks wallet 3 more times during course of journey).
I’m on the 6:15 NJ Transit train headed for NYC. The car seems to be filled with mostly commuters and no one really resembling a fellow concertgoers. It’s freezing out and the door won’t close, but that’s OK because I know soon enough I’ll be hot and sweaty.
Being one to battle the anxiety demons a few times in my life, a whole list of “worst case scenario’s” run through my head.
1. We covered the forgotten ticket but there’s also the “been sold a fake ticket by some
Savvy hacker/scalper on-line.”
2. Lose or have stolen wallet, purse, keys, ID, or all the above.
3. Journey home-missing the last train out of NY and having to sleep on the plastic bucket chairs at Penn Station.
I’m taking this journey alone tonight. Unfortunately, my friends are not Kings of Leon fans. Not that they wouldn’t be but most of them are knee-deep in newborns, rug-rats, and ‘tweens. Their music library pretty much consists of; The Wiggles, Miley Cyrus, and the Jonas Bros. I have attempted to convert them by bombarding their e-mail boxes with video’s, home movies, and chest hair pictures of the boys but alas, their libido’s are on hold until the kids are off to college.
So to soldier through my long journey, I put on my headphones and cue up the “KOL” play list and get myself in concert mode.
The train fills up with more and more people as we near NYC. I can make out who are the concertgoers by their pack mentality and Jared wannabe hairdo’s.
(Check wallet 4th time to make sure ticket didn’t mysteriously fly out.)
The sudden urge to pee overwhelms me. CRAP! Ok, I’m sure I can hold out until NY.
(If you’ve ever peed in a public rest room in NYC you’ll understand my concern. Especially the Woman’s bathroom no offense sisters, but girls are gross.)
I follow the signs for Madison Square Garden. Awesome, I don’t even have to leave the building.
I’m early, there’s hardly anyone here yet. I glide past the first checkpoint. There’s a Merch table ahead and the “FOLLOWILL” T-shirt catches my eye but I decide against it. I already spent enough money on these boys tonight.
Second check point approaches, my stomach drops knowing this is where I’ll be turned away because of my bogus ticket.
Hmmm…. I stand corrected, the ticket is legit and I’m ushered through the turnstile.
Upon reaching my seat, I am briefly struck by a wave of altitude sickness and immediately sit down. I swallow a few times to relieve the pressure in my ears and scan the stadium. The stage looks like a miniature doll set. I close one eye and pretend to squish Nathan’s drums with my thumb and index finger. This sucks. At least there’s the Jumbotron.
It’s 8pm and The Whigs just took the stage. I have never heard their music before but I’m willing to be open-minded and I’m eager to see them perform.
The lead singer of The Whigs slurs out a greeting to the audience. Their drum set dwarfs in comparison to Nathan’s. I’m sure a lot dwarfs in comparison to what Nathan has to offer.
Stream of consciousness begins:
OK, half way through song one and I’m done. BRING ON THE BOYS!
If this place doesn’t fill up I’m heading down to below cloud level.
The Whigs look cute from way up here, like cute ant people.
The lead singer seems to have some Michael Flately Irish dance moves going on.
OMG! Is the bassist wearing UGGS?!! Oh No-My bad. Phew!
Ok, I’m getting into it now…not really_BRING ON THE KINGS!!!!!
The Whigs have officially moved from cute ants to sexy ants.
The smoke machine just started, unless Nathan just lit a spliff behind the stage.
Hmmmm I wonder if Nate is left-handed. The drummer for The Whigs has his mike to the right-hand side; Nathan’s is to the left. I noticed while watching the home movies it looked like he was golfing left-handed…did I just write that? I sense a vague hint of stalker behavior in that sentence.
(Note to self: Stop by Bellevue Hospital before heading home.)
The Whig’s “are happy to be here and will now do something off their first album,” so they tell me and the other 4 people in the audience.
Wow this guy is amazing. He’s been dancing around on one leg while playing the guitar for a good 3 minutes. It reminds me of the guys who hung outside the Methadone clinic across the street from my apartment. They could hold a Karate Kid pose for like an hour, it was very impressive.
I love it when rockers do that Mick Jagger thing with their arms. They look all lanky and double-jointed with a touch of cerebal-palsyness. The Whiggles guy just did that (Caleb does it better).
Time check! 8:17! What??? Only 15 minutes went by???
I think I just saw a roadie put a cooler next to Nathan’s drums, wow. Maybe not. but probably.
I wonder if Caleb is puking.
OK, I’m having one of those “I can’t believe I’m actually here,” moments.
As of now I do not have an obstructed view, which is very cool.
OMG! Was that Nathan that just walked by??? No.
(REMINDER: Bellevue)
INTERMISSION
I figure I should make another bathroom run because I know if I go during the concert I will miss something crucial like Nathan doing his first solo or Caleb announcing he’s growing his hair long again.
I head out and walk a mile before I find the first Woman’s bathroom. The line is scary long and all of a sudden I really have to GO. Luckily it moves quickly. I race to the open stall where my theory has been confirmed-women are gross.
I get back to my seat and watch the crew set up. Nacho expertly tapes the cords in place. I don’t really hear any of the famous NACHO chants I’ve heard about. But then again maybe the sound just hasn’t traveled up here yet. I’ll give it another 30 min.
Oh God! I see my view obstruction heading towards me. Damn, he’s got to be 6’4 and he’s acting like an asshole. What a tool. I have no problem kicking him in the back of the head if need be.
Nacho is tuning Matt’s guitar and there’s that cool white bass Jared plays. I would think being a roadie would be a sucky job. But then again I just don’t like to do any sort of heavy lifting, or taping, or cleaning for that matter. I wonder if there are any girl roadies?
The tool and his friends are all tall.
I wonder if the mic height is based on how tall they are. From this level that would make Matthew and Jared ¼” tall and Caleb ¾” tall.
Time check 9:07!!!!WTF!!!
Put down the Bong Nathan, and get your ass out here!
Right now I have the perfect view but I know the John Mayer look-alike Tool Boy and the rest of his kit will ruin it, tall bastards.
As for the crowd…
OMG! HERE COMES KOL!
WOOOOHOOOO!
Again, overwhelming feeling: I can’t believe I’m here!!!!
CRAWL
Ah the sweet smell of pot just filled the stadium, must be Nathan’s natural scent.
TAPER JEAN GIRL
Eh, not a big fan of this song
MY PARTY
This song bugs me because of the whole Rachael Bilson thing…what? Come on dude!
Caleb looks really pumped. And he’s wondering around the stage a lot. I didn’t think they moved. They’re all in their standard black and grey. I love Caleb in a vest. He’s having a good hair night. Jared and Matthew are in leather jackets looking hot (I mean literally).
Jared has some tentacles hair thing happening but it looks cute. He’s got some patchy scruff going on but that too looks good.
(Don’t give up on it honey, you got to go through the bad to get to the good, if not there’s always beard extensions.)
I love it when Caleb mimes the songs, even the hard of hearing can enjoy their live performance. Very generous.
MOLLY’s CHAMBERS
Goddamn people who show up late. Knocking into me, grrrr
It is now officially packed! Wow, Matt is rocking Molly. Go Matty.
CLOSER
Hmm it’s Jared playing the casio not Nacho. Oh well.
Mmm more pot sme…..CRAP!!! Another tall guy just got here and he’s taller then the tool kit squad!!! Is this the song where Matt plays the guitar with his mouth? Tool Guys prevented me from seeing that.
FANS!
MY FAV, I love this song.
REVELRY
A big smile comes across Caleb’s face when the audience sings along. No doubt he’s having a similar “Oh my God I can’t believe I’m here,” moment.
MILK
Another one of my fav’s.
They show fancier video’s on the Jumbtron when the play songs from OBtN album.
The view of the jumbtron is obstructed by the speakers and I can only see half of Nathan but even half a Nathan is still Hot.
I think I’m sweating just as much as Caleb.
Matt’s hair seems a lot longer. I like it better like this.
Caleb is putting his sweat rag to good use.
FOUR KICKS
Oooo cool light show.
Jared goes into headshake mode. Awesome.
WASTED TIME
Eh, I’d rather hear Soft. Matt is rockin out. But when doesn’t he rock out, really.
Caleb SPEAKS!!!
He tells me (ok us, whatever) He’s been dreaming of this moment his whole life.
Through out he thanks everyone over and over. Seems very humble.
Tells everyone to sing along to the next song and we oblige.
SEX ON FIRE
You can hardly hear Caleb sing, especially during the chorus. Caleb seems to get a kick out of this.
My one complaint is there is way too much video of Caleb only. They showed one shot of Jared and I thought my ears were gonna bleed from the girly squeals.
Nate should have a jumbotron dedicated only to him.
I don’t know why they don’t use the jumbotron in the middle. That would’ve been perfect.
(MUST kill Tool. Luckily he only knows songs from OBtN, He’s freaking out now).
SLOW NIGHT SO LONG
Oooo Caleb is doing that little dance; he looks like he’s sneaking up behind someone to scare the crap out of him or her. The sneaky dance. TOO CUTE!!!
He’s traveling all over the stage giving the side crowd their own little show.
THE BUCKET
Right now is the time to see them on tour. There’s not a stinker in their song catalog.
Who knows, 20 years from now we may all have to suffer through a Rolling Stones “Steel Wheels” type promotional concert tour just to get to the classics. That and “Caleb Followill Rock of Love,” are my biggest fears.
Tool boy has no idea what this song is.
“Bucket? What Bucket? Why the fuck is he singing about a bucket?”
NOTION
I’ve neglected this song; I have to listen to it more, and again with the awesome video during a latest album song. Caleb is displaying some extra sexy raspiness in his voice during this song. I definitely noticed more clarity and confidence in his singing
MCFEARLESS
Mmm yummy spliff just lit up 2 rows ahead.
ON CALL
Ewww gross, Caleb just spit. Hmmm there’s something about this song he doesn’t like. He’s doing a hand gesture thing to the sound guy. Or else he’s telling Jared to steal home.
USE SOMEBODY
Holy crap the crowd is going bonkers!!!!!
Americans definitely know more from this album than any other album. A little from Because of the Times but not much.
Having a moment….”can’t believe I’m here”…. continue
COLD DESERT
Looks like all the boys around me in the audience are taking the opportunity to make a play on their dates. Interesting. OOPS! Some guy just brushed up against my boob when he walked by, there’s my play for the evening.
TRANI
Clove cigarette smell fills the air.
Wow, this isn’t the reaction I was expecting. Again this is Americans not familiar with anything but their most recent stuff. And where is Jared’s screaming freak-out head banging, gyrating moment. I’m so disappointed. Caleb delivered though.
ENCORE
OOOOOO NATE! Guzzles and chucks!!!
SWEET JESUS!
HOW MUCH HOTTER CAN YOU GET!
I’ve made a new friend while we wait for the encore, a sweet woman who got tickets at the very last-minute. She asks me who my favorite King is, Duh… Look at me; I look like I just walked out of Woodstock with all my hippie bohemianess going on. NATE LOVER right here!!!
KNOCKED UP
MANHATTAN
Caleb tells the crowd. This is the Biggest and Best moment of his life. So sweet.
CHARMER
I love this video. Caleb is reenacting it on stage as we speak.
BLACK THUMBNAIL
I think I actually had a little orgasm when he said, “Guitar Go Get Her”!
Wow, Jared booked off stage, maybe he has to pee.
Oh, there’s my beloved Nate front and center. Look at those fucking arms. I just want to lick his TATTS!
Caleb does his cute little double hand wave and throws some lucky soul his sweat rag.
I wonder how much that will go for on Ebay.
Good-bye boys. No doubt they are off to some fabulous after party filled with celebs and beautiful people. I hope they had a blast cause I sure did.
EXODUS
(…Yes, there’s more)
I swear I am being physically carried down the steps of the escalator and out the door by the mass of people exiting the Garden. How the hell did I get outside? My goal was not to leave the building. Oh well, I walk around the corner to get back into Penn Station. I stop at Nathan’s Hot Dogs and get a Nathan’s Lemonade. OMG! Did I subconsciously stop here? Hmmmm… too ladylike to make any Nathan’s Hot Dog jokes but definitely
wondering if his tattoo’s taste like lemonade. Yes, it’s my fantasy and they most definitely do.
I make my way to NJ Transit gate area and wait for the 11:40 train to Trenton. I eavesdrop on a group of girls who are imitating Caleb’s sneaky dance and listen to them trying to mimic his hi-pitch squeal that ends up being a lot more annoying than cute. I watch a group of young boys in their tight jeans and long hair pretend to watch the monitor while sneaking glimpses of the girls and their antics. Supportive fathers who escorted their sons to the concert are now stressing over the train schedule departure times.
I get on a double-decker commuter train and take the first seat I can find. The girl next to me rolls and unrolls the KOL poster she bought, and the boy in front of me calls his mom to tell her he’s on his way home and says, “It was beyond words, Mom.”
I’m kind of glad I have a long commute ahead of me. I’m still wired and my left eyeball is burning. I’m left handed and it’s only my left eyeball that ever hurts. I wonder if Nathan’s left eyeball ever hurts him.
DAMN…. I forgot to stop at Bellevue.
Thanks Guys!
You are blessed.

Bon Iver – Calgary (official music video)
June 15, 2011
Vodpod videos no longer available.
The JBot Pervbot #69
June 11, 2011
I hear this version makes more than just your seat vibrate.
Click on the link to watch the video.
JBot Pervbot
If you are not familiar with the original video to this sequel you can check it out here. I created this one around the time of Pigeongate, hence the pigeon noises in the background.
JBOT
Roman Holiday: Happy 24th to Daniel!!
June 7, 2011
The music of Justin Vernon offers exhilarating evidence that the rural really are different, and not in the pickup-drivin’, flag-fetishizin’ way that sells in Nashville. Five years ago, following the breakups of his band and his relationship, Vernon retreated from North Carolina to his native Wisconsin. Snowbound in a rustic cabin for the winter—or so the story goes—he produced a collection of quasi-religious hymns to the terrible beauty of heartbreak, which he self-recorded under the name Bon Iver, an intentional bastardization of the French phrase bon hiver (good winter). For full story visit: Vanity Fair
Kings of Leon – The Runner (Live at Slane)
May 29, 2011
Caleb’s solo of The Runner dedicated to their Uncle Cleo who died the day before. Footage of their uncle is running on the screens in the background. Unfortunately this is the only video I could find with good sound, but you can’t see the screens very well. An amazing performance by Caleb though, well done. Heart wrenching. xo
Vodpod videos no longer available.
Roman Holiday live at Jazzbones – “I Think It’s Her”
May 23, 2011
Vodpod videos no longer available.
Vodpod videos no longer available.
Fleet Foxes on Fallon (video)
May 21, 2011
Vodpod videos no longer available.
Lyrics off Bon Iver’s new album
May 19, 2011
Bon Iver‘s label JagJaguwar has posted the lyric’s to some songs of the new album.
I’ve reposted them below.
Perth
Iʼm tearing up, acrost your face
move dust through the light
to fide your name
it’s something fane
this is not a place
not yet awake, I’m raised of make
still alive who you love
still alive who you love
still alive who you love
in a mother, out a moth
furling forests for the soft
gotta know been lead aloft
so I’m ridding all your stories
what I know, what it is, is pouring – wire it up!
you’re breaking your ground
Minnesota, WI
armour let it through, borne the arboretic truth you kept posing
sat down in the suit, fixed on up it wasn’t you by finished closing
ramble in the roots, had the marvel, moved the proof be kneeled fine’s glowing
storing up the clues, it had its sullen blue bruised through by showing
settle past a patience where wishes and your will are spilling pictures
water’s running through in the valley where we grew to write this this scripture:
never gonna break
never gonna break
never gonna break
never gonna break
not for a part in any gamut of the dark
doubled in the toes annex it, it minute closed in the morning
did not lose it in the stack’s stow, imma lay that call back on ya
you know it won’t beseech you, we’re laying in an open field
I will let you grow, no need to know this
so carry on my dear, what is clear up in the daylight is we’re hung here
fall is coming soon, a new year for the moon and the Hmong here
never gonna break
never gonna break
never gonna break
never gonna break
all that it seems
bellows tracing through the streams
never gonna break
never gonna break
never gonna break
never gonna break
all at its seams
swallows swelling for the beams
Holocene
“Someway, baby, it’s part of me, apart from me.”
you’re laying waste to Halloween
you fucked it friend, it’s on it’s head, it struck the street
you’re in Milwaukee, off your feet
…and at once I knew I was not magnificent
strayed above the highway aisle
(jagged vacance, thick with ice)
I could see for miles, miles, miles
3rd and Lake it burnt away, the hallway
was where we learned to celebrate
automatic bought the years you’d talk for me
that night you played me ʻLip Paradeʼ
not the needle, nor the thread, the lost decree
saying nothing, that’s enough for me
…and at once I knew I was not magnificent
hulled far from the highway aisle
(jagged, vacance, thick with ice)
I could see for miles, miles, miles
Christmas night, it clutched the light, the hallow bright
above my brother, I and tangled spines
we smoked the screen to make it what it was to be
now to know it in my memory:
…and at once I knew I was not magnificent
high above the highway aisle
(jagged vacance, thick with ice)
I could see for miles, miles, miles
Towers
for the love, Iʼd fallen on
in the swampy August dawn
what a mischief you would bring young darling!
when the onus is not all your own
when you’re up for it before you’ve grown
from the faun forever gone
in the towers of your honeycomb
I’d a tore your hair out just to climb back darling
when you’re filling out your only form
can you tell that itʼs just ceremon’
now you’ve added up to what you’re from
build your tether rain-out from your fragments…
break the sailor’s table on your sacrum…
fuck the fiercest fables, I’m with Hagen
for the love, comes the burning young
from the liver, sweating through your tongue
well, youʼre standing on my sternum don’t you climb down darling
oh the sermons are the first to rest
smoke on Sundays when youʼre drunk and dressed
out the hollows where the swallow nests
Michicant
I was unafraid, I was a boy, I was a tender age
melic in the naked, knew a lake and drew the lofts for page
hurdle all the waitings up, know it wasn’t wedded love
4 long minutes end and it was over it’d all be back
and the frost took up the eyes
pressed against the pane could see the veins and there was poison out
resting in a raze the inner claims I hadn’t breadth to shake
searching for an inner clout, may not take another bout
honey in the hale could fill the pales of loving less with vain
hon, it wasn’t yet the spring
aiming and it sunk and we were drunk and we had fleshed it out
nose up in the globes, you never know if you are passing out
no it wasn’t maiden-up, the falling or the faded luck
hung up in the ivory, both were climbing for a finer cause
love can hardly leave the room
with your heart
Hinnom, TX
(fall in
fall out
fall along)
in the first of light
past the Noachide
bodies wrapped in white
stranded every pain
baby, pasts are slain
“I got outta La Grange…”
in Hinnom
all this time
with your heart in mind
didn’t you edit
in Hinnom
go, the least
and the precious feast
the in-vetted
sand it starts to steal
dirt and ice imbed in cheeks
in the potter’s field
solar peace
well it swirls and sweeps
you just set it
strangers scattering
nether passage in the wind
off pennant tension ring
armor, down
on the wettest ground
not to vet it
Wash.
climb
is all we know
when thaw
is not below us
no, can’t grow up
in that iron ground
Claire, all too sore for sound
bet
is hardly shown
scraped
across the foam
like they stole it
and oh, how they hold it
Claire, we nearly forfeit
I… I’m growing like the quickening hues
I… I’m telling darkness from lines on you
over havens fora full and swollen morass, young habitat!
all been living alone, where the ice snap and the hold clast are known
home
we’re savage high
come
we finally cry
oh and we don it
because it’s right
Claire, I was too sore for sight
I… we’re sewing up through the latchet greens
I… un-peel keenness, honey, bean for bean
same white pillar tone as with the bone street sand is thrown where she stashed us at
all been living alone, where the cracks at in the low part of the stoning
Calgary
….
don’t you cherish me to sleep
never keep your eyelids clipped
hold me for the pops and clicks
I was only for the father’s crib
hair, old, long along
your neck onto your shoulder blades
always keep that message taped
cross your breasts you won’t erase
I was only for your very space
hip, under nothing
propped up by your other one, face ‘way from the sun
just have to keep a dialogue
teach our bodies: haunt the cause
I was only trying to spell a loss
joy, it’s all founded
pincher with the skin inside
you pinned me with your black sphere eyes
you know that all the rope’s untied
I was only for to die beside
so itʼs storming on the lake
little waves our bodies break
there’s a fire going out,
but there’s really nothing to the south
swollen orange and light let through
your one piece swimmer stuck to you
sold, I’m Ever
open ears and open eyes
wake up to your starboard bride
who goes in and then stays inside
oh the demons come, they can subside
Beth/Rest
errant heat to the star
and the rain let in
the hawser rolls, the vessel’s whole and Christ, it’s thin
well Iʼd know that you’d offer
would reveal it, though it’s soft and flat
won’t repeat it, cull and coffer’s that
for the soffit, hang this homeward
pry it open with your love
sending lost and alone standing offers
it is steep / it is stone
such recovery
from the daily press, the deepest nest, in keeper’s keep
all the news at the door
such a revelry
well, it’s hocked inside of everything you said to me
it was found what we orphaned
didn’t mention it would serve us picked
said your love is known
I’m standing up on it
aren’t we married?!
I ainʼt living in the dark no more
it’s not a promise, Iʼm just gonna call it
heavy mitted love
our love is a star
sure some hazardry
for the light before and after most indefinitely
danger has been stole away
…
My Followill inspired SomeCards.
April 28, 2011
So if you read my last post, I’ve gone ahead and created my own SomeCard and used the Followill’s as my inspiration. Check them out and make your own! It’s fun! The link to the ‘Create Your Own’ Somecard page is in my previous post.
I’ll be making more for sure!
Vodpod videos no longer available.
More Obsessions.
April 20, 2011
I’m going through a new phase of music favorites that I can’t seem to get away from at the moment. I get like this, I’ll play something over and over for weeks. OCD at an all time high. Can’t change the music can’t put down the disinfectant. Hey, It’s a theme, it all goes together. Here are my obsessions for the week.
Superhumanoids, Nikki and the Dove, all things Fleetfoxes and Robin Pecknold, tUnE yArDs (even though I think that spelling of her band name is ridiculous). The Luyas and Little Scream (a never-ending obsession with her me thinks.)
I feel like a lot of this electro, dream, chill-wave, pop stuff is a really interesting blend of 80’s synth pop music and I’m feeling a bit nostalgic when I hear it. It reminds me of Kate Bush, Laurie Anderson, and Cocteau Twins, but the sound also suggests the ethereal, experimental music of Massive Attack and Portishead who were my obsessions in the 90’s.
What is old is new again. No wonder the older generations are falling in love with the young indie/alternative bands that are popular today. Folk, mountain, southern rock, 50s/60s pop, synth…all been done. I know some of these bands aren’t too thrilled with the older crowds but it’s their (our) soundtrack of our youth that you are bringing to the forefront of our minds. So rockers, next time you complain about the middle-aged women and balding gray haired men in the front row of your concerts remember, you only have yourselves to blame.
You can find music from all the bands I suggested on this blog and under the categories; “new music” “young guns” “on the rise” and “Women who Rock”.
Robin Pecknold (age 17) & Aaron Mannino play Radiohead
April 20, 2011
Vodpod videos no longer available.
Fleet Foxes Announce July Run of North American Tour Dates
April 14, 2011
Limited Ticket Pre-Sale Starting April 18th & 19th
Newly confirmed North American dates will be available for pre-sale at www.fleetfoxes.com on April 18th (Salt Lake City only) & 19th at 10 AM local time. The July 14th -24th tour dates include the previously announced headlining spot at Chicago’s Pitchfork Festival. Complete list of new tour dates and pre-sale information provided below.
New Fleet Foxes North American Tour Dates
Beginning Monday April 18th at 10 AM local time for the Salt Lake City show and April 19th at 10 AM local time for all other shows, a limited number of pre-sale tickets can be purchased online atwww.fleetfoxes.com. Ticket prices will vary. Fleet Foxes pre-sale tickets are available while supplies last. Public onsale information can be found at www.fleetfoxes.com or at the venue websites.
07/14/11 Thu – Toronto ON @ Massey Hall
0
7/16/11 Sat – Chicago IL @ Pitchfork Music Festival*
07/17/11 Sun – Minneapolis MN @ State Theatre
07/18/11 Mon – Kansas City MO @ Uptown Theater
07/19/11 Tue – St Louis MO @ Pageant
07/21/11 Thu – Denver CO @ Fillmore Auditorium
07/22/11 Fri – Salt Lake City UT @ Red Butte Garden**
07/23/11 Sat – Boise ID @ Knitting Factory
07/24/11 Sun – Troutdale OR @ Edgefield
*Pre-sale tickets not available, festival already on sale.
** Pre-sale begins Monday, April 18th at 10 AM local time
Robin Pecknold Songs from the Attic
April 4, 2011
So last night Robin Pecknold from Fleet Foxes was hanging out in his attic in the dark, playing his guitar because the sound is apparently really good up there. Here are his tweets:
@fleetfoxes Rode bikes all day, and the attic of the place I’m renting is like a huge reverb chamber right now! This rules!!!!!
@fleetfoxes Like seriously super reverberant. Just been playing guitar in the dark up there. Awesome
Robin Pecknold Songs from the Attic
It’s not the entire song but damn if that ain’t pretty!
You should follow him on Twitter too. He shares lots of stuff. Songs, video’s, great vinyl suggestions and he even shares guitar chords. The man is all about music. So impressed with his complete involvement with everything that has to do with Fleet Foxes.. He may be sewing up some merch T-Shirts as we speak. I would not be surprised!
Fleet Foxes – Grown Ocean plus some words from lead singer Robin Pecknold on making their new album.
March 30, 2011
Happy Birthday to Robin Pecknold who turns 25 today.
A film by Sean Pecknold
Vodpod videos no longer available.
So, for a bit of background: we’re from Seattle, and the members of the band are me, Skye Skjelset, Josh Tillman, Casey Wescott, Christian Wargo, and now our buddy Morgan Henderson, who helped out on the album and will join the band on tour. The band began as just me and Skye in Junior High, playing songs in his bedroom, until we moved to Seattle, settled on a name, and began meeting other musicians and playing with different people until we met all the guys currently on board. Casey joined in 2005, Christian in 2007, and Josh joined shortly before our first album was released, but after we’d recorded it.
We released our first album in 2008, had a lot of unexpected support from people and the press and we ended up on tour until October of 2009 (we’d expected to do one or two U.S. tours and hoped to start our next album in the Fall of 2008!)
Recording started with demos at a building in Seattle that’s been multiple recording studios since the ‘70s, from Triangle, to Jon & Stu’s, to Reciprocal Recording, to the Hall of Justice. A number of incredible albums have been made in that building over the years, including Bleach by Nirvana. So we were lucky enough to take over the lease when Death Cab for Cutie moved out in October 2009, and I started writing songs more seriously again. A couple months later, Joanna Newsom asked me if I would open some shows for her. As a huge fan of hers, I was completely honored and flattered that she’d want me to open her shows, and I felt like I needed some new songs that I could play alone. So, a number of the songs that ended up on this album came from the writing that preceded those tours. Having to play the songs alone meant I was really focusing on having a clear lyric and a strong melody, which ended up being a great change of focus for me as a writer because I’d spent a lot of 2009 messing around with non-songwriter type music and not always finding it satisfying.
After the first Newsom tour, we all went up to Woodstock, New York, to record at Dreamland Recording, where our friends in Beach House had had a good experience recording their last album Teen Dream. We were there for twelve days recording the drums and acoustic guitars. As an aside, I think Josh did an incredible job on the drums on this record, writing really inventive parts without a lot of instruction, and having such good tempo and “feel” that we were able to record all but one song on the album without a click track.
From there began a long stretch of recording in Seattle, from May of 2010 to November of 2010, where a ton of shit happened at numerous studios including Reciprocal, Bear Creek, and Avast. I could get into it, but basically it took a long time due to illness, scheduling, creative doubt, reassessment, rewriting, new songs being written, etc., etc ., etc. It was at times difficult to make this record. We ended up mixing at Avast in Seattle in December of 2010, with the record finally finished, even though we were recording vocals and guitar and rewriting lyrics up to the 11th hour. Not even the 11th, more like the 13th. So here we are, almost three years after the first album, finally done with the second one. Now I’ll talk about the actual music a little bit.
I think this music draws influence and inspiration from popular music and folk rock of the mid ‘60s to the early ‘70s, folks like Peter Paul & Mary, John Jacob Niles, Bob Dylan, The Byrds, Neil Young, CSN, Judee Sill, Ennio Morricone, West Coast Pop Art Experimental Band, The Zombies, SMiLE-era Brian Wilson, Roy Harper, Van Morrison, John Fahey, Robbie Basho, The Trees Community, Duncan Browne, the Electric Prunes, Trees, Pete Seeger, and Sagittarius, among many others. I’d say it’s a synthesis of folk rock, traditional folk, & psychedelic pop, with an emphasis on group vocal harmonies. Astral Weeks was a big inspiration on this album, if not always in sound then in approach. The raw emotion in Van Morrison’s vocals and the trance-like nature of the arrangements were very inspiring for this album!
Musically it leans on country music a little bit more, in the slide guitar of songs like “Grown Ocean” and “Bedouin Dress” or “Helplessness Blues.” We used a number of new instruments including the 12-string guitar, the hammered dulcimer, zither, upright bass, wood flute, tympani, Moog synthesizer, the tamboura, the fiddle, the marxophone, clarinet, the music box, pedal steel guitar, lap steel guitar, Tibetan singing bowls, vibraphone, along with more traditional band instrumentation.
OK! I think that covers most of it. The last thing I’ll talk about is the title. It’s called Helplessness Blues for a number of reasons. One, it’s kind of a funny title. Secondly, one of the prevailing themes of the album is the struggle between who you are and who you want to be or who you want to end up being, and how sometimes you are the only thing getting in the way of that. That idea shows up in a number of the songs.
Thanks for reading and I hope you enjoy the record!
Robin











